A few years back this reviewer interviewed the writer and director Kevin Smith, just as he was beginning
shooting a film that was to wind up being called "Cop Out" (the working title at the time was, in case
you're wondering, "A Couple of Dicks"; can't imagine why the studio took a
powder on that) with Bruce Willis and Tracy Morgan. After allowing that
he'd likely be "torn to shreds" for saying this to a journalist, he admitted
that he and his colleagues shared a simple ambition for the picture: "We just
want to make a TNT Classic. We just want to make that movie that, like, for the
rest of our lives at 3 o'clock on a Saturday if you turn on TNT, if this movie
is on, you'll watch it and have a great time."
I remembered Smith's ambition about 40 minutes into "Tower Heist," a caper comedy with the hook explained
in the title. This picture has got an all-star cast headed up by proven funny
people Ben Stiller and Eddie Murphy. It's got an underdog
versus sleazy-and-powerful bad guy plotline involving a ripped-off building
staff conspiring to rob the Madoff-esque money mismanager who took their
pensions. It's directed by Brett Ratner, a filmmaker who, while
hardly beloved by critics, has the box-office grosses to certify his skill at
making cinematic crowd-pleasers (he made all of the "Rush Hour" pictures, for instance). And for a while,
it feels like it could be one of those movies that Smith meant. No, not an
out-and-out latter-day action classic like "Die Hard," but a chewy, not exactly nutritious but
thoroughly watchable exercise like one of the lesser "Lethal Weapon" movies, or
maybe an older near-great (or at least better-than-average) fun genre exercise
like "The Hot Rock."
Stiller plays the hard-working manager of a very exclusive Manhattan
apartment building, the penthouse of which is inhabited by an obscenely wealthy
trader (Alan Alda) who likes to boast that he
started as a working-class kid from Astoria. Soon FBI agent Tea Leoni comes
along to bust Alda's character, Stiller has to tell his own colleagues that Alda
likely spent all the money they entrusted to them, and one thing after another
leads to Stiller enlisting a typically motley group of
ordinary-joes-without-a-clue to attempt a daring break-in to the aforementioned
now-heavily guarded penthouse. Murphy plays a neighbor of Stiller's who's
believed to be something of a criminal mastermind and hence the "muscle" they
need to pull the caper off. He's not all he's advertised as, of course, but
that's part of the "fun."
OK, it's not quite fair to put "fun" in quotation marks just yet. As Smith's
own disastrous "Cop Out" kind of proved, making a TNT classic isn't as easy as
it might look. And as I implied, for the first 40 minutes, or even more, Ratner
and his cast -- which also includes Matthew Broderick, Casey Affleck, Michael Peña, and, as a predictably
but satisfyingly droll housemaid, Gabourey Sidibe -- keep things
fast and funny enough that one might think, "Hey, this picture has a real shot
at TNT classic-dom!" Murphy really tears into his role as a
foul-mouthed/motor-mouthed BS artist, and if you don't think he's funny, maybe
you'll prefer Stiller's bemused reactions to some of Eddie's more outrageous
pronouncements. Leoni has a great drunk scene with Stiller that seems to bode
well for what you'd take to be the film's inevitable romantic component. And so
on.
But things take a turn for the worse during the heist itself, as more and
more ridiculous elements and obstacles turn up, and Ratner fails to sell them.
After going through all the trouble of staging the caper in the middle of New
York's legendary Thanksgiving Day parade, "Tower Heist" wastes a number of
opportunities for both laughs and thrills and settles for an indifferent and
uncomfortable quarter-of-a-chase scene. Not the sort of set piece that any kind
of classic is made of, alas. So in 20 months or so when you're channel-surfing
basic cable and you happen upon this film, just hope you get in on the first
half. And start channel-surfing again right after the heisters open the safe.
Glenn Kenny is chief film critic for MSN Movies. He was the chief film
critic for Premiere magazine from 1998 to 2007. He contributes to various
publications and websites, and blogs at http://somecamerunning.typepad.com. He lives in
Brooklyn.
For more movie news, follow MSN Movies on Facebook and Twitter.
A few years back this reviewer interviewed the writer and director Kevin Smith, just as he was beginning
shooting a film that was to wind up being called "Cop Out" (the working title at the time was, in case
you're wondering, "A Couple of Dicks"; can't imagine why the studio took a
powder on that) with Bruce Willis and Tracy Morgan. After allowing that
he'd likely be "torn to shreds" for saying this to a journalist, he admitted
that he and his colleagues shared a simple ambition for the picture: "We just
want to make a TNT Classic. We just want to make that movie that, like, for the
rest of our lives at 3 o'clock on a Saturday if you turn on TNT, if this movie
is on, you'll watch it and have a great time."
I remembered Smith's ambition about 40 minutes into "Tower Heist," a caper comedy with the hook explained
in the title. This picture has got an all-star cast headed up by proven funny
people Ben Stiller and Eddie Murphy. It's got an underdog
versus sleazy-and-powerful bad guy plotline involving a ripped-off building
staff conspiring to rob the Madoff-esque money mismanager who took their
pensions. It's directed by Brett Ratner, a filmmaker who, while
hardly beloved by critics, has the box-office grosses to certify his skill at
making cinematic crowd-pleasers (he made all of the "Rush Hour" pictures, for instance). And for a while,
it feels like it could be one of those movies that Smith meant. No, not an
out-and-out latter-day action classic like "Die Hard," but a chewy, not exactly nutritious but
thoroughly watchable exercise like one of the lesser "Lethal Weapon" movies, or
maybe an older near-great (or at least better-than-average) fun genre exercise
like "The Hot Rock."
Stiller plays the hard-working manager of a very exclusive Manhattan
apartment building, the penthouse of which is inhabited by an obscenely wealthy
trader (Alan Alda) who likes to boast that he
started as a working-class kid from Astoria. Soon FBI agent Tea Leoni comes
along to bust Alda's character, Stiller has to tell his own colleagues that Alda
likely spent all the money they entrusted to them, and one thing after another
leads to Stiller enlisting a typically motley group of
ordinary-joes-without-a-clue to attempt a daring break-in to the aforementioned
now-heavily guarded penthouse. Murphy plays a neighbor of Stiller's who's
believed to be something of a criminal mastermind and hence the "muscle" they
need to pull the caper off. He's not all he's advertised as, of course, but
that's part of the "fun."
OK, it's not quite fair to put "fun" in quotation marks just yet. As Smith's
own disastrous "Cop Out" kind of proved, making a TNT classic isn't as easy as
it might look. And as I implied, for the first 40 minutes, or even more, Ratner
and his cast -- which also includes Matthew Broderick, Casey Affleck, Michael Peña, and, as a predictably
but satisfyingly droll housemaid, Gabourey Sidibe -- keep things
fast and funny enough that one might think, "Hey, this picture has a real shot
at TNT classic-dom!" Murphy really tears into his role as a
foul-mouthed/motor-mouthed BS artist, and if you don't think he's funny, maybe
you'll prefer Stiller's bemused reactions to some of Eddie's more outrageous
pronouncements. Leoni has a great drunk scene with Stiller that seems to bode
well for what you'd take to be the film's inevitable romantic component. And so
on.
But things take a turn for the worse during the heist itself, as more and
more ridiculous elements and obstacles turn up, and Ratner fails to sell them.
After going through all the trouble of staging the caper in the middle of New
York's legendary Thanksgiving Day parade, "Tower Heist" wastes a number of
opportunities for both laughs and thrills and settles for an indifferent and
uncomfortable quarter-of-a-chase scene. Not the sort of set piece that any kind
of classic is made of, alas. So in 20 months or so when you're channel-surfing
basic cable and you happen upon this film, just hope you get in on the first
half. And start channel-surfing again right after the heisters open the safe.
Glenn Kenny is chief film critic for MSN Movies. He was the chief film
critic for Premiere magazine from 1998 to 2007. He contributes to various
publications and websites, and blogs at http://somecamerunning.typepad.com. He lives in
Brooklyn.
For more movie news, follow MSN Movies on Facebook and Twitter.